Kim Franklin, the Boorloo/Perth singer-songwriter behind Blank Instrument, has spent the past few years turning personal experiences into songs. Her debut album, “Jumping at Ghosts”, brings together 11 tracks that explore love, grief, mental health, uncertainty, and the hope that comes with learning more about yourself. Released on October 23, 2026, the album began with songs Franklin started writing in early 2023, long before she planned to make a full record. The album also has a touching story behind it. Its creation became possible through the generosity of Franklin’s late friend Julie. That gift gave Franklin the chance to bring these songs to life, and the experience changed how she sees her music, her voice, and herself. Knowing this adds another layer to the listening experience, as the record becomes a way to honor a friendship that continues to matter. The opening trio of “Brand New”, “Know Nothing” and “Green and Blue” introduces the album’s main concerns. Starting over, accepting life’s uncertainty, and finding a way to live with grief are all part of the picture. Franklin approaches these subjects with a personal touch, letting the songs speak to experiences many people recognize. The arrangements keep the album interesting from one track to the next. “Look” pairs acoustic guitar with airy keys and distant organ, creating a tender setting for a song about lasting love. “My Time” brings more drive through its drums and palm-muted guitars, while “Invisible” takes a bluesier route with harmonica and saturated vocals.
“Unwanted Friends” tackles intrusive thoughts with a darker sound and an empowering message. “Tears Still Flow” takes a more stripped-back approach, leaving piano and voice to do the work. It sounds like a particularly moving moment on an album that makes room for difficult emotions. Later, “Free” opens up with soaring backing vocals, spacious reverb, and slide guitar, bringing a sense of release. “Pale Imitation” explores comparison and self-worth through country-inspired sounds, adding another personal angle to the record. The album closes with the six-minute “What Do You Really Need?”, a reflective song that questions perfectionism, the pressure to stay busy, and the desire for more. It is a fitting final chapter for a record concerned with understanding ourselves and working out what deserves our attention. Personally, I enjoy how the album’s different influences give it its own character while keeping the songwriting at the center. The story of Julie’s generosity also makes the record especially touching, giving its songs a connection that goes beyond the music itself.
“Jumping at Ghosts” is a heartfelt debut from Blank Instrument, with songs that make room for sadness, love, doubt and the possibility of a fresh start. Kim Franklin has created a personal, thoughtfully put-together collection with enough variety to keep each track interesting. If you enjoy singer-songwriters who aren’t afraid to explore real-life experiences, give this album a listen. Follow Blank Instrument to keep up with Kim’s future music, save your favorite tracks to your playlist, and share the album with someone who appreciates honest songwriting. Songs like “Tears Still Flow”, “Free” and “What Do You Really Need?” are worth returning to, whether you’re in the mood for a quiet moment or some thoughtful listening. Supporting independent artists through follows, playlist saves, and word of mouth can help their music find the people who need to hear it.
